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Real gear in the studio: lights, modifiers and cameras modelled in Blender

We rebuilt every light, modifier, stand and camera in StrobeRoom as a 3D model at real size. A speedlight, a silver umbrella and a snoot join the kit, and the light they give is unchanged.

Studio view of a two-person podcast set: two COB lights in softboxes on boom arms, a purple tube behind the guests and three cameras on tripods

Until this update the lights, stands and cameras in StrobeRoom were simple shapes drawn in code. They showed where things were, but they didn't look like equipment. We rebuilt every piece as a 3D model in Blender at real size, with bevelled edges and proper materials: powder-coated metal, rubber, diffusion fabric, silver interiors and lens glass.

BeforeThe previous code-built monolight, softbox and camera
AfterThe new Blender-built monolight in a softbox on a light stand, and a mirrorless camera on a tripod

What's in the kit

  • Lights: monolight, COB LED with a Bowens mount, 1×1 LED panel, RGB tube with clamp, tungsten fresnel with barn doors, and a new speedlight.
  • Modifiers: softboxes, strip boxes, octaboxes, beauty dish, shoot-through umbrella, standard reflector and fresnel spot, plus two new ones: a silver reflective umbrella and a snoot with a honeycomb grid. Modifiers resize to match the make you pick.
  • Support: light stands, C-stands with a grip arm, booms, sandbags, a tube stand and a reflector holder.
  • Cameras: a mirrorless body whose lens grows with the focal length you choose, a cinema camera, a ball-head tripod and a fluid video head.

We kept the models generic: each looks like its type of gear, without brand logos. The makes you choose in the app stay as text on the light and on the shoot sheet.

New: the speedlight

The speedlight sits on an umbrella bracket and works bare, through a shoot-through umbrella or into the silver umbrella. We set its output at about a third of a 500 Ws head in its reflector, the way a GN 60 class flash compares at a similar zoom setting.

The light doesn't change

New models shouldn't change anyone's lighting. We matched each model's glowing face to the area the code-built version had, so the light that reaches the subject, the shadow softness, the catchlight and the meter readings are the same as before. The gear's metal and glass also pick up reflections from the room and the lights around it.

Studio view of four people around a table, with an octabox on a stand, an LED panel, a blue RGB tube and a camera on a tripod
A four-person table read with an octabox key, an LED panel fill and a blue RGB tube.
We also adjusted the built-in setups so the gear stays out of the shot where it used to creep into frame.
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